I created the animated versions of the new Marshmallow logo for use across all platforms, including website, app, social media and TV advertising.

The animations were produced in Adobe AfterEffects.

MY CONTRIBUTION
- Animation

I worked with 7 other illustrator/animators to create this lyric video for the Coldplay/Chainsmokers song ‘Something Just Like This’.

We were given a reference image and colour palette to work to, and then given a set of lines from the song to illustrate how we saw fit. We then animated them frame by frame using Photoshop. My work begins at 1:27s and end at 1:37s.

MY CONTRIBUTION
- Illustration
- Animation

I worked on the launch of Halo Top here in the UK, and on the creation of their social media content for the year following. This campaign won a Drum Award in the social media category.

MY CONTRIBUTION
- Creative input at concept stage
- Art direction at the shoots
- All stop-motion animation at the shoots
- All post production

I was asked to produce a stop motion piece for Tetley that communicated both the quality of its blend, and its geographical origin.

I created an animatic initially so that I could time the camera moves correctly, then used this as a guide when animating. The piece took around 2 days to prepare for, 1 day to shoot, and then another day of post.

MY CONTRIBUTION
- Art direction and design
- Photography and animation
- All post production

I was asked to produce a set of illustrations and animations for an upcoming Volvo event. The animations were to feature in a VR experience, telling the story of a small boy whose carelessness with litter ends up costing the ocean.

I produced these illustrations and then animated them frame by frame in Photoshop. The exports were supplied to the agency for integration with the 360° VR footage for the event.

MY CONTRIBUTION
- Illustration
- Animation

The Undead Monster Club is an NFT project with 8,888 unique monster NFTs on the Ethereum blockchain. I created all of the branding and design for the project, as well as all of the art for the NFTs.

MY CONTRIBUTION
- Concepts
- Art direction
- Copywriting
- Illustration
- Motion graphics
- Sound editing

I was asked to produce a video for social media that explained how the Honda hybrid engine worked. I was supplied with a technical description from one of their engineers and from that I then wrote a script, illustrated the main points, and animated them in the style of an educational whiteboard animation.

MY CONTRIBUTION
- Concept and copywriting
- Illustration
- Animation and motion graphics

I shot these stop frame face paint pieces for Snazaroo’s social media channels. I also created the illustrations and animations for the end frames and did all of the post production.

MY CONTRIBUTION
- Photography
- Illustration
- Animation

I was Creative Lead for the agency that ran the social media campaign for Blocco 181, an Italian drama series from Sky.

As well as oversight of my teams work, I produced a number of static and video assets, editing together supplied footage, editing audio, and creating motion graphics for supers and end frames in After Effects.

These lyric videos were created for Instagram and Facebook using songs from the series soundtrack.

MY CONTRIBUTION
- Art direction
- Editing
- Motion graphics
- Sound editing

I was Creative Lead for the agency that ran the social media campaign for IMAX during the release of ‘Avatar: The Way Of Water’.

As well as oversight of my teams work, I produced a number of static and video assets, editing together supplied footage, editing audio, and creating motion graphics for supers and end frames in After Effects.

MY CONTRIBUTION
- Art direction
- Editing
- Motion graphics
- Sound editing

I produced these pieces for Tails.com, a tailor-made dog food company. These were my own concepts based on a brief, which I then storyboarded, shot, and did all the post production for. The dogs in the first video were pets of the staff there are Tails.

MY CONTRIBUTION
- concept and art direction
- stop motion animation
- video editing
- motion graphics
- photography and retouching

I created a sizzle film for the Warburtons education programme, Bake The Most Of Life. Raw footage was provided which i edited and graded, as well as producing all the effects, motion graphics and audio editing.

MY CONTRIBUTION
- Video editing and grading
- Motion graphics
- Sound editing

I was asked to create these simple motion graphic pieces to introduce a set of whitepapers published by UBS.

MY CONTRIBUTION
- Illustration
- Motion graphics

Urban Jungle provide flexible contents insurance designed for renters.

I animated the logo for use across social media, app and website, as well as TVC.

I also created a set of social media assets based on their new TVC - two different edits, both in 3 aspect ratios.

MY CONTRIBUTION
- Logo animation
- Video editing
- Audio editing
- Motion graphics

I was Creative Lead for the agency that ran the social media campaign for the release of Disney’s ‘The Little Mermaid’.

As well as oversight of my teams work, I produced a number of static and video assets, editing together supplied footage, editing audio, and creating motion graphics for supers and end frames in After Effects.

MY CONTRIBUTION
- Art direction
- Editing
- Motion graphics
- Sound editing

This is a short stop motion movie I created as a portfolio piece.

MY CONTRIBUTION
- Concept and story
- Set build
- Photography
- Animation
- Post production

Tails.com are a company that produce tailored dog food based on your pet’s age, breed and health condition. I shot and edited this video for their social media channels to celebrate their 5th birthday.

MY CONTRIBUTION
- Concept and art direction
- Videography
- All post production

I was asked to produce a motion graphics piece to celebrate the 180th anniversary of P&O Ferries. The client supplied a collection of video clips from the last 100 years and the music they wanted on the video.

MY CONTRIBUTION
- Art direction
- Design
- Motion graphics

I was asked to produce the motion graphics for this Virgin Broadband infomercial featuring Usain Bolt, and then composite it together with the tablet footage.

MY CONTRIBUTION
- Design
- Motion graphics
- Compositing

I was asked to produce these Christmas pieces for Tetley’s social media channels. The only assets available were the standard illustrations of the tea folk (see below) so I created everything in Photoshop, using stock images where possible, and animated the scenes in AfterEffects.

MY CONTRIBUTION
- Concept and art direction
- Illustration
- Animation
- Sound editing

I worked on a set of videos for GSK showcasing their product range and the branding and advertising produced for each by Interbrand. The video here is one example from the set.

MY CONTRIBUTION
- Motion graphics design

I worked on this endframe for the Moshi Monsters Club TVC.

MY CONTRIBUTION
- Motion graphics design

I was asked to create a display ad for Duracell, showing two torches facing each other then turning to camera, with one fading faster than the other. There were no assets available, so I drew the torches in Photoshop from photo references, then drew them turning frame by frame to create this animation.

MY CONTRIBUTION
- Illustration
- Design
- Animation

I created this socially optimised version of the Tetley Super Squash TVC, editing it down to 20 seconds in 1:1 aspect ratio, adding start and end frames and on-screen dialogue so that the message is still communicated in social feeds when sound is disabled.

MY CONTRIBUTION
- Editing
- Motion graphics